I love machinery. I love drawings, photographs and diagrams of machinery, particularly diagrams. They look important, they demand respect, and they inspire confidence. How dare anyone doubt that those dotted lines, those beautiful arrows, and the mystically placed little uppercase letters indicate something of great but obscure significance? The blueprint also is a form of visual tyranny. It is yet another kind of icon to be revered by the mechanically sophisticated and looked upon with awe by the mechanically illiterate, such as myself. These drawings are my semi-respectful homage to all the model airplanes that I almost completed, and every printed-in-Japan set of instructions that led me astray. However, most of all, to those passionately sterile drawings and engravings that graced the pages of the dictionaries and encyclopedias of my youth. As far as I am concerned, a Steam-Driven Chameleon, A Tractor-Treaded Rhinoceros, a Diesel-Driven Guppy, and a Propeller-Powered Bass are at least as valid as all that other stuff. These too, are real.

"In this age of depressing social, political and economic events, it is a welcome pleasure to be exposed to the delightful wit of Murray Tinkelman and to sense the love he has for his subject matter. In this case, his subject matter is his Mechanimals, those superbly inventive inventions of his fertile imagination. Tinkelman's mechanical animals are the combined accomplishment of a creative mind and a dexterous hand, two characteristics so often missed in today's so-called 'art' in America. Murray Tinkelman's contributions to the graphic arts lend considerable luster to an already illustrious profession. More power to Murray Tinkelman and his pseudo-technological revolution. Enjoy!"

Quote from Herb Lubalin, former Art Director, U & LC.